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| Ratings | Author/Editor | Author/Editor | Title | |||
|---|---|---|---|---|---|---|
![]() | Paul A. | Baumgarten | Donald C. | Farber & Mark Fleischer | Producing, Financing & Distributing Film: A Comprehensive Legal & Business Guide | |
![]() | John | Baxter | Science Fiction in the Cinema | |||
![]() | Hal Zina | Bennett | Michael | Larsen | How to Write with a Collaborator | |
![]() | Robert A. | Berman | Fade In | |||
![]() | Irwin R. | Blacker | The | Elements of ScreenWriting | ||
![]() | James | Bonnet | Stealing Fire from the Gods | |||
![]() | Jon | Boorstin | Making Movies Work | |||
![]() | Rita Mae | Brown | Starting from Scratch: A Different Kind of Writers' Manual | |||
![]() | Janet | Burroway | Writing Fiction | |||
![]() | Julia | Cameron | Mark | Bryan | The | Artist's Way |
![]() | Joseph | Campbell | The | Hero with a Thousand Faces | ||
![]() | Joseph | Campbell | Transformations of Myth through Time | |||
![]() | Verne | Carlson | Sylvia E. | Carlson | Professional Lighting HandBook | |
![]() | Jeff Scott | Cook | The | Elements of SpeechWriting & Public Speaking | ||
![]() | Sandra R. | Curtis | Zorro UnMasked: The Official History | |||
![]() | David C. | Denison | As Seen on TV: An Inside Look at the Television Industry | |||
![]() | John Gregory | Dunne | Monster: Living Off the Big Screen | |||
![]() | Scott | Edelstein | The | InDispensable Writer's Guide | ||
![]() | Lajos | Egri | The | Art of Dramatic Writing | ||
![]() | Peter | Elbow | Writing with Power | |||
![]() | David E. | Elkins | The | Camera Assistant's Manual | ||
![]() | Syd | Field | ScreenPlay: The Foundations of ScreenWriting | |||
![]() | Syd | Field | Selling a ScreenPlay: The ScreenWriter's Guide to Hollywood | |||
![]() | April | Fitzsimmons | Breaking & Entering: Land Your 1st Job in Film Production | |||
![]() | Rudolf | Flesch | How to Write Plain English | |||
![]() | Billy | Frolick | What I Really Want to Do Is Direct | |||
![]() | Natalie | Goldberg | Writing Down the Bones: Freeing the Writer Within | |||
![]() | William | Goldman | William Goldman: 4 ScreenPlays with Essays | |||
![]() | Michael | Hauge | Writing ScreenPlays that Sell | |||
![]() | Neill D. | Hicks | Writing the Action-Adventure Film | |||
![]() | Lew | Hunter | ScreenWriting 434 | |||
![]() | Claudia | Johnson | Matt | Stevens | Script Partners | |
![]() | T.L. | Katahn | Reading for a Living: How To Be a Professional Story Analyst for Film & Television | |||
![]() | Milton | Katselas | Dreams into Action: Getting What You Want! | |||
![]() | Steven D. | Katz | Film Directing Shot by Shot: Visualizing from Concept to Screen | |||
![]() | Christopher | Keane | How to Write a Selling ScreenPlay | |||
![]() | Viki | King | How to Write a Movie in 21 Days | |||
![]() | Howard | Koch | The | Panic BroadCast | ||
![]() | Laurence | Leamer | As Time Goes By: The Life of Ingrid Bergman | |||
![]() | Jennifer | Lerch | 500 Ways to Beat the Hollywood Script Reader | |||
![]() | Edmond | Levy | Making a Winning Short: How to Write, Direct, Edit, & Produce a Short Film | |||
![]() | Art | Linson | A | Pound of Flesh: Perilous Tales of How To Produce Movies In Hollywood | ||
![]() | Doug | Lipman | Improving Your StoryTelling | |||
![]() | Paul | Lucey | Story Sense | |||
![]() | Edward | Mabley | David | Howard | The | Tools of ScreenWriting: A Writer's Guide to the Craft & Elements of a ScreenPlay |
![]() | Eric | Maisel | A | Life in the Arts | ||
![]() | Scott | McCloud | Understanding Comics | |||
![]() | Frank | McConnell | StoryTelling & MythMaking: Images from Film & Literature | |||
![]() | Robert | McKee | Story | |||
![]() | Sarah Myers | McGinty | Writing Your College Application Essay | |||
![]() | Michael | Medved | Hollywood vs America | |||
![]() | Stephen Blake | Mettee | The | Portable Writers' Conference | ||
![]() | James | Monaco | How To Read a Film: The Art, Technology, Language, History, & Theory of Film & Media | |||
![]() | Bill | Mooney | David | Holt | The | StoryTeller's Guide |
![]() | Lynda | Obst | Hello, He Lied | |||
![]() | Roberta E. | Pearson | William | Uricchios | The | Many Lives of the Batman |
![]() | Susan K. | Perry | Writing in Flow | |||
![]() | David Michael | Petrou | The | Making of Superman the Movie | ||
![]() | Gail | Resnick | Scott | Trost | All You Need to Know About the Movie & TV Business | |
![]() | Tony | Reveaux | Gene | Steinburg | How to Do Everything with iMovie2 | |
![]() | Jeffrey | Ryder | Clint Eastwood | |||
![]() | Joel | Saltzman | If You Can Talk, You Can Write | |||
![]() | Dewitt H. | Scott | Secrets of Successful Writing | |||
![]() | Linda | Seger | The | Art of Adaptation: Turning Fact & Fiction into Film | ||
![]() | Linda | Seger | Creating UnForgettable Characters | |||
![]() | Linda | Seger | Edward Jay | Whetmore | From Script to Screen: The Collaborative Art of FilmMaking | |
![]() | Linda | Seger | Making a Good Script Great | |||
![]() | Linda | Seger | Making a Good Writer Great | |||
![]() | Linda | Seger | When Women Call the Shots | |||
![]() | Margaret | Shertzer | The | Elements of Grammar | ||
![]() | Thomas G. | Smith | Industrial Light & Magic: The Art of Special Effects | |||
![]() | Carle B. | Spotts | Ideas & Patterns for Writing | |||
![]() | Jerome | Stern | Making Shapely Fiction | |||
![]() | J. Michael | Straczynski | The | Complete Book of ScriptWriting | ||
![]() | William | Strunk | E.B. | White | The | Elements of Style |
![]() | Linda | Stuart | Getting Your Script Through the Hollywood Maze | |||
![]() | Barry | Tarshis | How to Write without Pain | |||
![]() | Eric | Taub | Gaffers, Grips, & Best Boys | |||
![]() | David | Trottier | The | ScreenWriter's Bible | ||
![]() | Brooke A. | Wharton | The | Writer Got Screwed (but didn't have to) | ||
![]() | John Morgan | Wilson | Inside Hollywood: A Writer's Guide to Researching the World of Movies & TV | |||
![]() | Will | Wright | SixGuns & Society: A Structural Study of the Western |
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